The Canon EOS RP is your step-down variant to the remarkable R — the camera which catapulted Canon to the full-frame mirrorless marketplace back in 2018 — made to function as the entry floor into the EOS R range.
The RF lens bracket that features this is Canon’s third EOS lens mount in the past couple of decades. The EF-S supplied for Canon’s DSLR cameras, although the EF-M was created specifically for the smaller EOS M mirrorless versions. The RF, nevertheless, is that the company’s initial full-frame mount because the initiation of the first EF back in 1987. This is a huge play, therefore there are fewer lenses accessible — but there are already 10 high end variations, which can be good going considering that the brief time-frame. With this investment, a collection of cameras was constantly on the cards.
The RP is a more scaled back and less expensive camera compared to the R. Sewing the stepping stones to present a lower-spec camera, its DSLR-like design is a bid to lure would-be DSLR buyers over to the mirrorless format. It’s more affordable, lighter and more will probably be familiar for most customers — but has Canon missing the storyline in what it’s attempting to perform with mirrorless?
Design: Who is the RP for?
- Canon EOS RF lens bracket
- 0. 39-inch, two. 36m-dot OLED viewfinder (0.7x mag)
- 3-inch, 1. 04m-dot vari-angle LCD touchscreen
- HDMI, USB, mic & headphone interfaces
- Wi-Fi and Bluetooth service
- 485gram with battery and card
- 1x SD card slot (UHS-II)
- Dedicated style dial
The RP does possess a slimmed down spec sheet when compared with the R, although much less slimmed as you may expect because of its price. The camera takes from the EOS 6D MkII because of its detector, which can be a fantastic thing, and by the M-series because of the battery, which can be less of a fantastic thing.
The construct of this RP has literally been slimmed down than this R. It’s briefer in each dimension, with a notable sum, and weighs 140grams less. This means it is less balanced using the big pro RF lenses also means a smaller clasp also, which can be significantly less forgiving for those who have larger hands.
With the resizing has also come a decrease in buttons: gone is that the tiny top screen and style button, replaced using a very simple mode dial; gone, also, is your touch-control M-Fn pub, replaced using a normal function dial.
This thumb dial includes a useful lock switch to prevent you inadvertently altering the settings. Though book, we’re not big fans of this M-Fn pub on the EOS R, therefore a return to some typical dial is a tiny relief .
On at the cap of the RF there is a dedicated video recording button and an M-Fn button, the latter that may be utilized to rapidly get into the ISO sensitivity, shooting style, autofocus mode, white balance, and flash compensation. The on-off switch carries up all of the space on the rear of the best panel, which though does not feel like the very best use of this space, is really a handy spot for your power button.
The back of the camera, with the exception of this M-Fn pub, is quite much like the EOS R. Autofocus, vulnerability lock and focus point selection sit conveniently for thumb operation. Below, a data button cycles between display modes, whereas plus a bug-free dial provides the most important navigation, using a fundamental’Q’ setup menu button to get access to the most important shooting preferences.
The back display is a 3-inch LCD with 1. 04-thousand scatter resolution. This is substantially lower resolution the 3. 15-inch, 2.1-million-dot display on the R, but is still quite aggressive because of its price point. It is mounted onto a vari-angle bracket, allowing easy viewing from above, below or in the front of the camera.
The viewfinder has also been scaled back in the 3. 69 million scatter variant on the R and substituted with a two. 36 million scatter one. In utilize it appears exceptionally lifelike, and it is just when it comes down to guide focusing which you really see the difference.
The RP isn’t bashful on inputs , offering equally 3.5mm microphone in and headphones sockets, in addition to distant launch, HDMI and USB. These are largely for video capture, however, the USB permits you to control the camera without removing the battery.
Rather compared to another SD card compartment, this can be placed under the battery . This is clearly a space-saving move, presuming owners of this RP will use one card. For those shifting cards however, it does make it more difficult.
Performance: A watered-down EOS R? )
- Dual Pixel CMOS autofocus (88% flat and 100% vertical policy )
- 4,779 autofocus positions, through multi-direction selector or touchscreen
- Zonal, AF growth, Spot AF, Face Tracking and Eye AF choices
- 5fps continuous shooting (4fps with attention monitoring )
- 13 particular scene modes (like silent shooting)
- LP-E17 batterylife: 240-250 shots per charge
- Shutter rates: 30-1/4000sec, Bulb
Unlike that the EOS R, that the RP is not supposed to become a professional camera, but it will give semi-professional versions a run for their money. Being a mirrorless camera, it utilizes the most important image detector for its own autofocus, using a Dual Pixel AF autofocus structure to deliver a quick phase-detection method, instead of the contrast-detection of older. This works really well, only sometimes requiring any’searching’ to achieve attention.
The focus point may be manually positioned everywhere in the picture frame (via a total of 4,779 positions) with the back directional navigation or, considerably quicker, using the touchscreen.
You may utilize the Spot AF to really fine-tune your attention point or one of those enlarged or zonal alternatives for broader choices. There can be a Face Detection and Eye Detect alternative, which once secured on will adhere to the field round the framework till you half press the shutter.
For shifting issues, the Servo style will help keep adjusting the attention even after half-pressed. Unlike on different EOS models, there’s absolutely no AI Focus way to automatically change between Servo and One Shot modes.
In addition to the routine Manual, Program and Priority shooting modes, the RP provides an Intelligent Auto (iA), which automatically adjusts to the spectacle, in addition to a collection of 13 specific scene modes covering pictures, landscapes, sports and nighttime scenes.
The silent manner removes autofocus confirmation beeps and camera sound, for all those moments when you have to keep silent. However, for the it can be tricky to understand when the image has obtained — a white framework briefly seems to affirm on the monitor.
Perhaps one of the chief regions where the RP shows its entry-level standing is in constant shooting. Those trying to catch fast action might detect its five frames per minute (5fps) high speed way just a tiny pedestrian (the EOS 6D will 6.5fps), particularly as the RP slows farther to only 4fps when employing the Servo mode. This was a frequent method for Canon to differentiate its own versions: the EOS R provides a considerable raise to 8fps.
The additional significant issue is that the RP’s battery lifetime. Rather compared to the LP-E6N — as being used in the EOS R, 6D Mk II and a number of different versions — it employs exactly the exact same LP-E17 as in the EOS M5 mirrorless along with the EOS 800D DSLR. While on those cameras it had been capable of around 420/600 shots, to the RP it’s excellent for approximately 240-250. Again, that really is a critical restriction for thicker shooting sessions, and might mean carrying another battery.
One other possible limit of this RP is that the 1/ / 4000th maximum shutter speed, in comparison with this R’s 1/ / 8000th. However, that only becomes a problem when shooting wide open with professional lenses on exceptionally bright times.
Image grade: Think 6D MkII
- Digic 8 chip
- 26.2-megapixel full-frame CMOS detector
- ISO 100-40,000 (enlarged L: 50, H1: 51200, H2: 102400)
- 4K video (24/25de ); Full HD (60, 50, 30, 25fps) [29m 59s max]
Probably the largest downgrade in the R, at least on paper, is your RP’s image detector. Rather compared to the usual 30.3-million pixel resolution, the RP provides the exact same 26.2-million-pixel sensor we have previously seen from the EOS 6D Mk II. A difference of 4.1MP is far from important, however. With an A2 print this is the gap between a 271ppi plus a 252ppi resolution.
For the testing, we utilized the newest RF 28-70mm f/2.0 lens, which in more than 3,000, isn’t affordable, but is a good pairing for your RP. Lower priced RF lenses continue to be restricted, however Canon EF-RF adapters start at only #99 and make it possible for you complete control over almost any EF or EF-S lens (the latter provides a 1.6x crop on the detector, therefore be lower resolution).
The pictures made by the RP are detailed when seen in 100 percent magnification. Even with high-contrast borders, haloing is all but non-existent, and graphics retain sharpness into the corners. Image sound is well controlled during the normal ISO density range, with only subtle signals above ISO 6400 and just the H2 feeling of 102,400 ISO really losing substantial detail.
The metering system has a selection of alternatives, from place to centre-weighted however, when using the evaluative setting, the camera managed to well exposue a range of scenes with no difficulty. With that the RP’s evaluative mode there is no need to take slightly underexposed to maintain highlights. In analyzing it blew the highlights, maintaining detail in frequently tricky cloudy heavens, while also preserving shadow detail from high-contrast scenes.
The auto white balance (AWB) has a default option setting priority setting( which renders pictures on the other hand, particularly when shooting inside. If you want a more neutral result, this may be changed to snowy priority at the white balance menu, or you may use one of those seven presets to adjust the temperature worth.
For image processing, the RP uses exactly the same Digic 8 which features in a lot of the new Canon EOS scope (such as the backend 250D along with also the pro-spec R). For videographers, this usually means a similar functionality, together with 4K and HD choices.
Video shooting is possible up to 4K resolution at 24/25fps (it is 8-bit 4:2:0 on the card( for all those considering geek specs), but, sad to say, the 4K recording is shot (by 1.6x, like an APS-C detector ), which restricts wide-angle shooting, and also suffers by a rolling camera when panning. HD catch, however, is full-frame and does not have the exact same shutter problems.
There’s little doubt that the future of Canon’s advanced amateur and expert market can be found in the R collection, along with the RP provides an inexpensive route to the computer system. Much since the EOS 300D — Canon’s initial sub-#1000 DSLR — was to get its EOS variety in 2003.
While it might not have the complete feature set of the R, the RP is much more of a mid-range camera compared to a newcomer’s, and apart from a few niggles, it’s an excellent performer too. It handles exceptionally well — possibly better than the R — even though its smaller variant. Images are vulnerable and thoroughly detailed. The ISO functionality usually means it is simple to shoot low-light without tripod or flash.
However, it is the camera’s battery lifetime and 4K video functionality that’s very likely to put off users. For nevertheless shooters not seeking to shoot hundreds of pictures per day, however, this is not likely to impact you.
This post was first printed 14 February 2019 and continues to be upgraded to reflect its Entire review standing
Canon EOS 6D MkII
The 6D MKII is an advanced amateur / semi-professional DSLR with very similar specs to the RP, in addition to a comparable price point. Here however, you receive a traditional optical viewfinder and faster continuous shooting (up to 6.5fps). On the drawback however, there is no 4K video, less sensitive AF functionality in low fat and a thicker body.